翻訳と辞書
Words near each other
・ His Life and Music
・ His Little Women
・ His Lordship
・ His Lordship (1936 film)
・ His Lordship Entertains
・ His Lordship Goes to Press
・ His Lordship Regrets
・ His Lordship's Dilemma
・ His Lordship's Kindness
・ His Lordship's Last Will
・ His Lost Love
・ His Lyrics Are Disastrous
・ His Lyrics Are Disastrous (EP)
・ His Majesty
・ His Majesty (band)
His Majesty (comic opera)
・ His Majesty (horse)
・ His Majesty King Edward the Eighth's Abdication Act, 1937
・ His Majesty King Funk
・ His Majesty Minor
・ His Majesty O'Keefe
・ His Majesty the King
・ His Majesty the King's 80th Birthday Anniversary, 5 December 2007, Sports Complex
・ His Majesty's Adjutant
・ His Majesty's Armed Forces (Tonga)
・ His Majesty's Declaration of Abdication Act 1936
・ His Majesty's Dragon
・ His Majesty's Dub
・ His Majesty's Lieutenant
・ His Majesty's Sagbutts & Cornetts


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His Majesty (comic opera) : ウィキペディア英語版
His Majesty (comic opera)

''His Majesty, or, The Court of Vingolia'' is an English comic opera in two acts with dialogue by F. C. Burnand, lyrics by R. C. Lehmann, additional lyrics by Adrian Ross and music by Alexander Mackenzie.
The work premiered at the Savoy Theatre in London on 20 February 1897, running for only 61 performances until 24 April 1897, despite a strong cast including George Grossmith, Ilka Pálmay, Scott Russell, Fred Billington, Florence Perry and Walter Passmore. The D'Oyly Carte Opera Company then toured the opera throughout 1897 alongside more familiar Gilbert and Sullivan works.
==Background==
When the Gilbert and Sullivan partnership collapsed after the production of ''The Gondoliers'' in 1889, impresario Richard D'Oyly Carte struggled to find successful new works to present at the Savoy Theatre. He was able to bring Gilbert and Sullivan together briefly for two more operas, neither of which was a great success. In fact, after its disappointingly short run, their last piece, ''The Grand Duke'' (1896), was the only outright failure of a Gilbert and Sullivan opera. Arthur Sullivan had produced two operas for the Savoy in the early 1890s with librettists other than W. S. Gilbert, but neither had proved particularly successful, and pieces by other composers, for example ''Mirette'', had fared worse.

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